Our Les Paul sounded great, picking out Jeff Beck and Billy Gibbons-inspired tones with ease. Midrange and bass are both nicely balanced, too. The tone control seems to like staying at around the 12 o’clock position, which is a good starting point for any guitar you feel like plugging into the single jack socket, tweaking it clockwise to enhance single-coil snap and brighten up humbuckers, or anti-clockwise to add woody jazz warmth to your archtop. The revised volume control has a more gradual change from clean to overdrive, making the amp much easier to dial in, with less of the fuzzbox-flavoured bass at full power.
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